
Drawn and Quarterly reprints a 1955 tale in pantomime by
Don Freeman:
Skitzy (100 7x9-inch pages, b/w; hardcover, $19.95) in which Floyd
W. Skitzafroid is unhappy and keeps his wife awake nights by tossing and
turning in bed. By day, however, he is either (1) painting in his studio in
Greenwich Village or, simultaneously, (2) in an office
uptown, where he works as an accountant. Freeman gives us a visual hint early
on about the schizophrenia of his protagonist — both on the cover and early in
the narrative, where he shows him splitting in half on the subway as he
commutes to work. One half goes to his studio; the other, to the office.
Employing a model named Susette, the artist produces a painting of a nude woman
eating a cluster of grapes entitled “Grapes Susette” that he sells for $100,
which he spends buying a necklace for his wife. She, in turn, presents him with
a painting — “Grapes Susette,” that she bought for $800! Seething at the economic
injustice of it all, Floyd tosses and turns all night again — until he has the
idea of opening his own gallery to sell his paintings, thereby uniting both the
artistic and commercial aspects of his personality. This cautionary tale, drawn
in a slap-dash, breezy manner, unfolds one “panel” (or picture) to a page,
telling the story in an economical way possible only in the cartooning medium,
which permits “splitting” the character’s personality in both visual and
narrative terms, thereby depicting different activities as if they were taking
place at the same time. Freeman, who died in 1978, produced
Skitzy while otherwise creating
children’s books, publishing the book himself; today, as D&Q demonstrates,
he would have found a publisher. And now, he has. A short biography completes
the volume.
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